[p2p-research] de-professionalization of photography
Michel Bauwens
michelsub2004 at gmail.com
Thu Apr 1 10:19:49 CEST 2010
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Date: Wed, Mar 31, 2010 at 6:41 PM
Subject: [Open Manufacturing] Digest for
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Today's Topic Summary
Group: http://groups.google.com/group/openmanufacturing/topics
- For Photographers, the Image of a Shrinking Path -
NYTimes.com<https://mail.google.com/mail/?ui=2&view=js&name=js&ver=nW3OxUDq0kU.en.&am=!8Ag9prYTo5-RtdzVEfQwWtk-RPp5B6pkOP7y9nhSnTdLfo_g&fri#127b4068903f20b1_group_thread_0>[1
Update]
Topic: For Photographers, the Image of a Shrinking Path -
NYTimes.com<http://groups.google.com/group/openmanufacturing/t/d967d678977505a7>
"Paul D. Fernhout" <pdfernhout at kurtz-fernhout.com> Mar 30 03:57PM
-0400 ^<https://mail.google.com/mail/?ui=2&view=js&name=js&ver=nW3OxUDq0kU.en.&am=!8Ag9prYTo5-RtdzVEfQwWtk-RPp5B6pkOP7y9nhSnTdLfo_g&fri#127b4068903f20b1_digest_top>
When will this happen to product design?
"For Photographers, the Image of a Shrinking Path - NYTimes.com"
http://www.nytimes.com/2010/03/30/business/media/30photogs.html
"""
Mr. Eich and Ms. Pruitt illustrate the huge shake-up in photography
during
the last decade. Amateurs, happy to accept small checks for snapshots of
children and sunsets, have increasing opportunities to make money on
photos
but are underpricing professional photographers and leaving them with
limited career options. Professionals are also being hurt because
magazines
and newspapers are cutting pages or shutting altogether.
“There are very few professional photographers who, right now, are not
hurting,” said Holly Stuart Hughes, editor of the magazine Photo District
News.
...
That meant a flood of pretty decent photographs, and that changed the
stock-photography industry. In the last few years, stock agencies have
created or acquired so-called microstock divisions. They charge $1 to
$100,
in most cases, for publishers or others to rerun a photo, often supplied
by
an amateur. And Getty made a deal with Flickr in 2008, permitting Getty’s
photo editors to comb through customers’ images and strike license
agreements with the amateur photographers.
“The quality of licensed imagery is virtually indistinguishable now from
the quality of images they might commission,” Mr. Klein said. Yet “the
price
point that the client, or customer, is charged is a fraction of the price
point which they would pay for a professional image.”
...
In 2005, Getty Images licensed 1.4 million preshot commercial photos.
Last
year, it licensed 22 million — and “all of the growth was through our
user-generated business,” Mr. Klein said.
That is because amateurs are largely happy to be paid anything for their
photos. “People that don’t have to make a living from photography and do
it
as a hobby don’t feel the need to charge a reasonable rate,” Mr. Eich
said.
"""
--Paul Fernhout
http://www.pdfernhout.net/
====
The biggest challenge of the 21st century is the irony of technologies of
abundance in the hands of those thinking in terms of scarcity.
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